• SNEAK PEEK! Mystery at Blind Frog Ranch: The Endless Shaft (S5E8)

    We’ve reached the saddest moment of any season if Mystery at Blind Frog Ranch…the finale. Can you believe it’s been eight weeks already? As bittersweet as that is, I’m happy to say Season 5 goes out on a HIGH note! Let’s take a peek behind the curtain and see if we get any closer to…

  • Together Coalesces into Something Wonderfully Grotesque

    “Therefore, a man shall leave his father and mother and be joined to his wife, and they shall become one flesh.” This Bible quote, taken from Genesis, is meant to be metaphorical in its own context. However, in the case of Alison Brie and Dave Franco’s new horror film, Together, it is quite literal. Although the…

  • Mystery at Blind Frog Ranch: Meteorite Mountain (S5E7)

    Welcome back, fellow treasure hunters! I know I’m a bit behind with this one, too! Besides not having any interesting UFOlogy news, I want to get right into this episode because there are some big developments! Without further ado, let’s head back to one of our favorite ranches in Utah and see if we get…

  • The Secret of Skinwalker Ranch: Hard Target (S6E10)

    Welcome back, fellow ranchers! Who would have guessed that it took someone forever to upload the latest episode to YouTube? With how far behind I am, and a new episode of Blind Frog on the horizon, we’re going to get right into this week’s episode. Plus, I have no good Ufology news. I’m slacking! Anyways,…

  • Fantasia 2025: A Cosmic Connection of Dependencies in ‘Touch Me’

    Olivia Taylor Dudley’s 2025 is going very well. The actress was last seen during the Chattanooga Film Festival’s virtual showcase, giving a dramatically engrossing performance in the cult-aftermath movie Abigail Before Beatrice, and now in Fantasia’s Canadian Premiere of Addison Heimann’s Touch Me. Dudley is becoming a staple of indie cinema, undertaking memorable parts in Onyx the Fortuitous and the Talisman…

  • Fantasia 2025: An Endless Smorgasbord of Consuming Ads in ‘Buffet Infinity’

    Earlier this year, while writing reviews for Boston Underground Film Festival, the American Genre Film Archive (AGFA) had a fascinating title that featured a collection of movie theater pre-movie and intermission programs, as well as some commercials. The film, Hey Folks! It’s the Intermission Time Mixtape, is a non-narrative film, meaning its presentation has no…

  • The Home Fails to Impress

    While I was getting my ticket for Pete Davidson’s horror movie, The Home, I told the clerk at the station that I had heard the movie was getting negative reviews. I informed him that I was a film reviewer, and I didn’t expect much from this particular movie. The clerk agreed. “Just from looking at…

  • Fantasia 2025: ‘The School Duel’ is a Bold, Jaw-Dropping American Dystopian Portrait

    There are few films brazen enough to go where Todd Wiseman Jr’s future-dystopia Florida-set film The School Duel goes. When it comes to the next generation, there’s plenty to discuss, but consistent gun violence against the most vulnerable in the nation never seems to amount to direct change. In the aftermath of the 2012 Sandy…

  • Fantasia 2025: ‘Foreigner’ Considers the Horrors of Assimilation

    Ava Maria Safai’s Foreigner is one of the most unique and exquisitely realized horror films of this or any other century. In ten years’ time, critics will look back on this film and, if they had bashed it, will resolve to tell you their newly formed opinions on it, much like many did with Jennifer’s…

  • Fantasia 2025: Hellcat is a Road Trip Paved With Misinformed Intentions

    Back in the mid-nineties, before the internet took off and streaming platforms were even an idea, network television ruled the airwaves, and the world-premiere network movies and multi-night mini-series were landmark events. As an impressionable youngster, this was how I’d get my regular fix of Stephen King-adapted horror. But, on occasion, you’d also get something…