Category: Horror Reviews


  • If there’s anything I know about Takeshi Kushida, it’s that he can craft a visually striking horror movie. Whatever side of the fence you fell on with Kushida’s debut feature, Woman of the Photographs, you can’t say it wasn’t a lavishly colored and beautifully shot debut feature. Kushida’s artistic prowess combined with a love/hate relationship…

  • Typecasting is a terrible thing that happens far too often in the horror genre. Fans are often quick to embrace the idea of seeing their favorite “scream queens” or slasher icons return for new rounds of chaotic violence filled with one-liners, gore, and a possible final chapter to a beloved character’s storyline. As much as…

  • I’ve had my eye on Mind Body Spirit for a while now. I first heard about the film when it was making its festival run several months ago, and I thought both the premise and the trailer were pretty intriguing. I really wanted to check this movie out, so when I learned that I’d be…

  • As a horror movie critic, I’m pretty plugged into the horror world. I know about most of the new genre releases, whether they’re big theatrical films or smaller VOD movies, so it’s always nice to be pleasantly surprised by a title that completely slipped through the cracks for me. It’s one of my favorite things…

  • How do you follow up two amazing episodes of a new TV show? It’s pretty easy, actually. You make an amazing third episode, and if you don’t believe me, just ask the people behind Kaiju No. 8. They faced that same dilemma, and wouldn’t you know, they did exactly what I suggested. I’m kidding of…

  • We all go a little mad sometimes. That’s what Psycho’s Norman Bates says anyway. Sure, the original silver screen slasher had his problems and went on to kill a bunch of people after issuing the statement, but on this point, he was indisputably correct. There’s a fire in everyone, and if it’s not ventilated properly,…

  • When someone says folk horror, I’m sure your mind goes to the same places mine does: Robert Eggers, Ari Aster, maybe some Ben Wheatley, and for sure Robin Hardy’s The Wicker Man. These director’s films are the peak of folk storytelling. They offer the mystical, the natural, and the terror that all other films will…

  • Monolith opens with a single enticing line spoken over a black screen, “I want to tell you a story.” Over the next moments, a narrative unfolds into lunacy. The screen pulls back to an extreme close-up of a microphone, then to a home office, in the same space where viewers will spend all but a…

  • Aimlessly scrolling through Prime video, desperate for something to take my mind off the ongoing pandemic that halted society and hijacked the news, the graphic design of a bloodstained video game controller dripping into a pool as it hovered above a pixelated title caused me to pause. That was the one. With the clever title…

  • In the horror world, the Cronenberg name carries weight. David Cronenberg has been the godfather of body horror for about four decades, and in recent years, his son Brandon has proven himself to be one of the most exciting filmmakers in the genre today. They’ve created a veritable family dynasty. When news broke that David’s…