Director Alison-Eve Hammersley is taking her feature debut to Beyond Fest this October with Erie, a late-nineties found footage piece set during the paranoid run-up to Y2K. Following her shorts Fragile.com and You’ll Only Have Each Other, Hammersleyโs first feature gets its first screening on October 1st at the Los Feliz 3 Theatre in Los…
You know the best way to get my attention? Put a giant bloody snake in your film. Thereโs an immediate, primal pull to reptile horror, but the subgenre has spent the last twenty years choking on its own self-awareness. The second studios realized they could turn giant monster flicks into cheap, ironic comedies, anyone actually…
Normally, if an inbox email doesn’t contain grim Norwegian forests, obscure horror films, or suffocating guitar riffs, it gets bin-bagged without a second thought. But every now and then, a press release lands that catches the eye simply because it deals in the same currency we care about: raw atmosphere, ancestral tradition, and a complete…
This is either going to be absolutely brilliant or bloody awful, but considering both of those things fall in my wheelhouse, Iโm going to have a great time. The trend of turning beloved childhood icons into cheap slasher villains has officially claimed another victim. After Mickey Mouse, Bambi, Pinocchio, and Winnie the Pooh all got…
Anyone who caught Feed Me or Hosts knows co-director Richard Oakes doesn’t bother with polite, cozy British drama. He makes nasty, uncomfortable genre flicks. His latest, Remembrance, co-directed with writer-star James Matthew Denton, heads straight to UK digital platforms on 19 October via Reel2Reel Films. Things kick off in a hospital bed where Grace (Alyssa…
Blood, guts, and mutated killer sheep. This is the kind of shit I live for. Twenty years after unleashing one of the finest horror-comedies to ever come out of New Zealand, writer-director Jonathan King is finally returning to the farm. Umbrella Entertainment has dropped the official trailer for Black Sheeps, and it looks like a…
The Brooklyn Horror Film Festival has dropped its full program for 2026, locking in eight days of blood-splattered premieres, retrospectives, and late-night drinking at Nitehawk Cinema Williamsburg from October 15โ22. Australian director Nicky Murphy gets things moving on opening night with the U.S. premiere of I Love Paris, a vampire mockumentary about an underground singer…