Category: Cult Cinema


  • Traditional Learning Gets a Spooky and Goth Makeover: Move Over Bill Nye, Mr. Rogers and Pee Wee Herman

    Jack-Oโ€™-Learn Changes The Dynamic of Traditional Learning Putting a Goth and Dark Edge on It How did you come up with the character Jack-Oโ€™-Learn? Jack: I’ve always loved Halloween. The spooky season has sparked my imagination for as long as I can remember. As a kid, I was constantly drawing monsters and spooky characters, and…

  • Inside the Head and World of Horror Creator Weird Aunty Mildred

    Editors Note: Krisanna Marie is back again, this time sitting down for a chat with Weird Aunty Mildred, a horror and macabre creator who makes one of a kind oddities. Tell me a bit about your company and creations? Who are you where are you based Weird Aunty Mildred: Thank you for having me!  My…

  • Wheels on Meals (1984): Martial Arts Perfection

    Filmed under a title that defies the basic laws of English syntax because Golden Harvest executives were genuinely superstitious about their previous box-office flops starting with the letter ‘M’ (hence Wheels on Meals instead of Meals on Wheels), this movie is an absolute high-water mark of action cinema. By the mid-1980s, the old-school, costume-heavy studio…

  • The Brain That Wouldnโ€™t Die (1962): Peak Drive-In Dementia

    There is a moment during the early 1960s where science fiction cinema abandoned all remaining pretenses of middle-class respectability and plunged headfirst into a subterranean pool of pure madness, and that moment is Joseph Greenโ€™s The Brain That Wouldnโ€™t Die. Filmed under the significantly more honest title The Head That Wouldnโ€™t Die in 1959 but…

  • The Flying Guillotine (1975): Just a Little Off The Top, Please

    Watching the 1975 Ho Meng-hua classic The Flying Guillotine, is watching the exact moment Shaw Brothers realized that the traditional, honorable swordplay of the 1960s was dead, buried, and ready to be replaced by something deeply cynical and explicitly weaponized. Before this film, the studioโ€™s output under directors like Chang Cheh or King Hu usually…

  • Shaolin vs. Lama (1983): Excessive Goblin Energy and the Last Stand of the Taiwanese Typhoon

    If you want to talk about the absolute apex of Taiwanese independent chop-socky cinema, the conversation starts and ends with Lee Tso-namโ€™s Shaolin vs. Lama. By the early 1980s, the traditional kung fu movie was supposed to be dead and buried. Golden Harvest was leaning hard into urban stunt-spectacles with Jackie Chan, and the big…

  • Fatal Flying Guillotine (1977): The Craziest Flying Guillotine Movie Ever Made

    Some martial arts movies are built around discipline, elegance, and the poetry of physical movement. Fatal Flying Guillotine prefers to treat the human body like an object that can be launched through the air at alarming speeds before eventually losing its head to a spinning metal hat. Released in 1977 during the fevered height of…

  • Modern Cult Films That Capture Grindhouse Energy

    Somewhere along the line, Grindhouse stopped meaning dangerous cinema and started meaning Instagram filter + ironic mustache energy. You know the type: artificially distressed footage, Tarantino cosplay, and jokes about exploitation without any actual bite. Itโ€™s cinema wearing a leather jacket it bought from a fancy boutique, clean stitching, no blood stains, and absolutely no…

  • Five Elements Ninjas (1982): The Periodic Table of Human Slaughter

    If you want to understand the moment that the Shaw Brothers, the absolute kings of the Hong Kong studio system, finally decided to lean into pure, unadulterated madness, you have to look at Five Elements Ninjas. Also known as Chinese Super Ninjas, this movie is a blood-drenched love letter to the โ€˜Gimmickโ€™. By 1982, the…

  • Faster, Pussycat! Kill! Kill! (1965): The Chrome-Plated Gospel of the Desert Alpha

    The 1965 monochrome explosion known as Faster, Pussycat! Kill! Kill! is not merely a film; it is a high-octane broadside against the very concept of mid-century morality. To understand the impact of this Russ Meyer masterpiece, we must first strip away the modern lens of ironic appreciation and look at the scorched-earth reality of its…